The grade (6.9/10) doesn't match the writer's comments, which are positive and a few dozen watts short of glowing in some places. These days, one review neither makes nor breaks any album. But viral momentum (or the lack of it) can. So read about "Tragic Boogie" by the Life and Times of the KCMO. Even better, listen and then buy. And then spread the word. For a second opinion, read what we said about "Boogie" a few weeks ago:
“Tragic Boogie” opens with a clarion call, the transcendent arena rock of “Que Sera Sera.” If you were only half-listening from the next room, you might mistake the track for some weird conjugal collision between Oasis and Radiohead.
Welcome to the latest chapter in the music career of Allen Epley, who does nothing simply or expectedly; he is driven by artistic impulses that are his greatest virtue. They would be his curse, too, if he designed his music to be mainstream and commercially successful.
Instead, he writes — composes, really — rock songs that exercise his intellectual and emotional intimacy with music and music theory and with the electric guitar. In his former band, Shiner, the results were often as complicated and imposing as they were exciting and satisfying. At Shiner shows, you could almost see some fans trying to compute those figures in their heads.
In this band, the Life and Times, he restrains indulgences in formulas and time signatures that are composed and calculated to impress those who can compute the arithmetic and to dazzle those who can’t. Instead, this is a band that navigates the trickiest of processes and feats: It delivers both the unexpected and the familiar. Songs go in directions that aren’t foreseen but that feel natural and comfortable, once you reach their destinations.
The “style,” if there is one, is a mix of the math-rock that made Shiner cult heroes; some shimmery shoe-gazing alt-rock (My Bloody Valentine); and other bits and traits that reflect and convey Epley’s vast interest in so many kinds of music. There are plenty of hooks and riffs here, and melodies that you can follow and sing along to.
Things get heavy and dark (“Old Souls”); things get light and shiny (“Dull Knives”), even a little cosmic at times, and things get wild and exhilarating, too, like on “Confetti,” which sounds like the Foo Fighters took a post-grad seminar in theory and composition. And don’t sleep on the instrumental interludes, which deliver some sweetness and punch, usually in three minutes or less.
“Boogie,” which comes out Tuesday on Arena Rock Records, is the proper full-length follow-up to L&T’s superb debut, “Suburban Hymns.” The band is out on the road now, showing off the live versions of the new tunes. Last month at SXSW in Austin, in front of lots of Shiner/L&T devotees, those songs sounded awesome and got great responses. Will they deliver Epley from his world of cult heroism? We can only wish. You know: Whatever will be, will be.
_ T.F.
Hmmm. I found it to be more of a prequel to Suburban Hymns - a throwback to the heydays of Shiner, and not reflective of anything visible in today's music scene.
It's too over-arranged, and the major theme seems to be a stuggling 40-something genius trying to push on the elusive string of success while the clock winds down.
If anything, Epley needs a good producer - someone to act as an editor and "kill his darlings", so to speak.
Posted by: anonymous | April 30, 2009 at 09:14 AM
thanks for being so forthright and upfront, mr. anyonmous
Posted by: Donkey Shane | April 30, 2009 at 11:44 AM
Odd that you would bring up his age, as if that's remotely relevant.
Posted by: Tim Finn | April 30, 2009 at 12:01 PM
Why anyone would take a Pitchfork review seriously is beyond me!
Posted by: mankvill (click here for KC Metal News + Lamb of God review!) | April 30, 2009 at 12:13 PM
I have to respectful disagree with Mr Anonymous. I dont feel the album is overdone at all. When I listen to it I hear a band at the height of their game, and made the album they have always wanted to, cost be damned.
If you do not have this album go out and buy it. When they play shows around here go out and support them, you will not be dissapointed.
Another local music plug. Make sure you buy the new Appleseed Cast album, Sagarmatha, as well as catch them in concert. These 2 bands are making music that is just as viable, exciting, and incredible as any other band in the world. It makes me proud to say they both hail from this area.
Posted by: Ronnie | April 30, 2009 at 12:16 PM
Yes, too, on that Appleseed Cast album
Posted by: Tim Finn | April 30, 2009 at 01:33 PM
I often wonder if the reviewers at pitchfork are too busy reading their thesauruses to stop and listen to and enjoy the music they are reviewing.
L&T is a fantastic band. As was shiner. Somehow I doubt anonymous' band (because it's pretty obvious he has one)has either the songwriting ability, the maturity or musical chops to open for the L&T.
Posted by: pete | April 30, 2009 at 02:22 PM
two great local bands, two great albums. go grab their albums, you won't be disappointed.
as for pitchfork, i use it as a filter to find new music. i never take it word for word. i agree with Tim's comment that the review was much more glowing than the rating number.
the life and times are back in kc on 5-30 at the record bar.
Posted by: concert chris | April 30, 2009 at 02:42 PM
"the major theme seems to be a stuggling 40-something genius trying to push on the elusive string of success while the clock winds down."
Ditto to Tim F on that one...
Posted by: Tim | April 30, 2009 at 07:20 PM
PS Nice write up Tim
Posted by: Tim | April 30, 2009 at 07:22 PM