Photos by Allison Long/The Star
Uptown elegance and street-smart grittiness might seem like mutually exclusive concepts. In the extraordinarily versatile hands of Allen Toussaint at the Folly Theater on Friday, the disparate notions made for an entirely natural pairing.
Bill Shapiro, the host of "Cyprus Avenue" on KCUR-FM, introduced Toussaint as "a man who has been the sound and the essence of New Orleans for over half a century." He has crafted a substantial career by seamlessly blending jazz, rock, pop, soul and blues into a cohesive whole. He's directly responsible for a substantial swath of the greatest popular music of the 20th century. Toussaint, 71, demonstrated Friday that he merits consideration as today's most vital embodiment of American music.
"We'll be doing songs tonight that I've written, arranged and produced," he told the appreciative audience. "And maybe some I didn't but I wish I had."
The breathtaking repertoire included a medley of "A Certain Girl," "Mother-in-Law," "Fortune Teller" and "Working In the Coal Mine." Like many of his most popular compositions, those four songs were originally recorded by New Orleans-based rhythm and blues singers. They were subsequently covered by artists including Harry Connick, Jr., Devo, Robert Plant and Alison Krauss, the Rolling Stones, the Who and Warren Zevon.
Toussaint, a thoroughly charming entertainer, noted many of these connections with droll humor. He seemed especially pleased with the use of "Sweet Touch of Love" in a recent television advertising campaign. The song's pop flourishes were irresistible.
Other highlights included the delightfully sly "Sneakin' Sally Through the Alley," the breezy "Southern Nights" and a rollicking rendition of "Who's Gonna Help Brother Get Further," a song from Toussaint's 2006 collaboration with Elvis Costello. A suave treatment of "Soul Sister" was no less effective than the original 1972 version. "Get Out of My Life Woman" was similarly robust.
An appropriately raucous reading of "Everything I Do Gonna Be Funky" was interrupted by a playful extended piano feature that managed to reference both Professor Longhair and Sergei Rachmaninoff.
Toussaint is a remarkable pianist, but his soft but insinuating singing voice is less distinctive. Still, its shortcomings lent emotional heft to a wonderful unaccompanied version of Paul Simon's song of discontentment "American Tune." An unobtrusive four-piece band lent admirable accompaniment to Toussaint on all the other selections. The saxophone work of Brian "Breeze" Cayolle was particularly potent.
Well short of two hours, the concert felt brief. Many exquisite Toussaint compositions were not played, including Irma Thomas' "Ruler of My Heart" and Art Neville's "All These Things."
The evening's only other flaw was a muffled sound field. When Toussaint opened the show by singing "there's a party going on," the sonics were so tepid that he might have been referring to a staid cocktail party. The mix gradually improved but it never packed the volume or dynamic range demanded by the music. Because the Folly Theater is noted for its pristine acoustics, the imperfection was as surprising as it was disappointing.
Even more astonishing is the fact that Friday marked Toussaint's first appearance in Kansas City. The thought that it might also be his last performance in the area made listening to Toussaint's closing number, the otherwise joyous "Fun Time," profoundly bittersweet.
| Bill Brownlee, Special to The Star
Bill,
Great review! I knew I would be sorry to have missed Allen Toussaint. He was wonderful on Elvis Costello's show recently.
Your neighbor, Barbara
Posted by: Barbara Thomson | January 09, 2010 at 12:00 PM
I attended the show last night. What a honor to sit and listen to such a legend. I don't think many folks realize how many songs Mr. Toussaiant has written. Yes, there is a lot of stuff he could of played with such a long successful career. It was a perfect show, he was very much at ease with the audience, a true New Orleanian. His "playful play" made me realize how much I love the sounds of the piano.
Posted by: Marilyn S | January 09, 2010 at 01:22 PM
Enjoyed your review Bill. Will just add that Toussaint also played quite a bit of Ennio Morriconne's theme song from "Once Upon A Time in the West" during that magnificent instrumental piano interlude. You probably know the piece but if not, here it is:
http://www.youtube.com/watch?v=2s0-wbXC3pQ
Posted by: Mike | January 09, 2010 at 05:27 PM
Great Review!
Posted by: Microsoft Points | January 09, 2010 at 11:10 PM
It was a perfect show, he was very much at ease with the audience, a true New Orleanian. His "playful play" made me realize how much I love the sounds of the piano.
Posted by: منتديات | January 11, 2010 at 05:33 AM
Enjoyed your review Bill. Will just add that Toussaint also played quite a bit of Ennio Morriconne's theme song from "Once Upon A Time in the West" during that magnificent instrumental piano interlude.
Posted by: LOUIS | August 04, 2010 at 07:48 AM
Bill,
Great review! I knew I would be sorry to have missed Allen Toussaint. He was wonderful on Elvis Costello's show recently.
Your neighbor, Barbara
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It was a perfect show, he was very much at ease with the audience, a true New Orleanian. His "playful play" made me realize how much I love the sounds of the piano.
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This great man is indeed a legend. His music are of course the best one. The music he made drives into the very soul of each listener. Just amazing totally fascinating man.
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